Alireza Razazifar; Alireza Khoshnevis; Fatemeh Nemati
Abstract
This article shed light on perspective of Iranian digital games. Since early 21st century we confront many researches about digital games in field of media studies as well as psychology and educational studies. Some these researches are recognized digital games as just media and some of them investigate ...
Read More
This article shed light on perspective of Iranian digital games. Since early 21st century we confront many researches about digital games in field of media studies as well as psychology and educational studies. Some these researches are recognized digital games as just media and some of them investigate them and their effect as new media. In this article we used case study approaches to analyze digital games made in Iran technically and aesthetically. In our analytical approach we used comparison between Iranian digital games and corresponding foreign digital games used by Iranian gamers. We investigated “Garshasb, "Eighth Combat 2” and “Murders in The Streets of Tehran” as case studies and respectively compared them with “Dante’s Inferno”, “Battelle Field 3” and “Still Life”. Our finding demonstrates that Iranian digital games used low quality graphic pictures and unreal movement, then they would have failed in front of foreign digital game industry. it is because of lack of transparency of medium and intimacy with gamers. These problems result in low immediacy for involving the gamers. Then they prefer the foreign game instead. Furthermore, using real native narrative in Iranian game should be accomplished by applying real Iranian character with real Iranian goals and morality.
